About Me


Artist Statement
Material ecologies | Industrial Design | Design Strategies
My practice explores the interwoven logic of land, memory, and form — drawing from indigenous knowledge systems and the material languages of living systems. I work across scales and mediums, from handcrafted furniture to data-driven prototypes, translating natural intelligence into tools, surfaces, and spatial experiences that invite reflection, adaptation, and care.
Rooted in material-led inquiry, I see design as both a sensory and systemic act — a way of listening to the patterns that shape environments and communities. My approach often explores natural processes become blueprints for making — reimagined through a hybrid of traditional craft and digital fabrication.
I am especially drawn to the overlap between ancestral methods and contemporary systems: how indigenous technologies speak to resilience, reciprocity, and circularity — and how those principles might guide the design of tools, infrastructures, and futures today. Whether working with wood, pigment, code, or collective data, I aim to create pieces that hold space for both continuity and transformation.
Design, to me, is an ongoing negotiation between material, maker, and environment, shaped by a deep belief in stewardship and possibility.